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Exposición 'Matisse: En busca de la verdad de la pintura" en el Metropolitan de Nueva York

Exposición 'Matisse: En busca de la verdad de la pintura" en el Metropolitan de Nueva York

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  • Una espectadora frente a 'La danza con capuchinas I' de Matisse

    "Nasturtiums with the Painting "Dance" I" 1912 by Henri Matisse on display in the exhibition "Matisse: In Search of True Painting" November 26, 2012 at The Metropolitan Museum of Art in New York. The exhibition explores Matisse's painting process by showcasing 49 vibrantly colored canvases that demonstrate the artist's tendency to use his completed canvases as tools, repeating compositions in order to compare effects, gauge his progress, and, as he put it, "push further and deeper into true painting" opens to the public December 4. AFP PHOTO/Stan HONDA
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    'El sueño' (1940), de Matisse, acompañado de una serie de fotografías que evolucionan la evolución de la pintura.

    A man looks at "The Dream" 1940 (C, in color) by Henri Matisse on display in the exhibition "Matisse: In Search of True Painting" November 26, 2012 at The Metropolitan Museum of Art in New York. This wall re-creates an exhibit in the Galerie Maeght in Paris from 1945 that included large framed photographs documenting the evolution of the painting. The Met exhibition, which opens to the public December 4, explores Matisse's painting process by showcasing 49 vibrantly colored canvases that demonstrate the artist's tendency to use his completed canvases as tools, repeating compositions in order to compare effects, gauge his progress, and, as he put it, "push further and deeper into true painting." AFP PHOTO/Stan HONDA

  • Un espectadro contempla 'Le luxe I' (El lujo I), otra de las obras que pueden verse en la muestra neoyorquina de Matisse.

    A man views "Le Luxe I", 1907 by Henri Matisse on display in the exhibition "Matisse: In Search of True Painting" November 26, 2012 at The Metropolitan Museum of Art in New York. The exhibition explores Matisse's painting process by showcasing 49 vibrantly colored canvases that demonstrate the artist's tendency to use his completed canvases as tools, repeating compositions in order to compare effects, gauge his progress, and, as he put it, "push further and deeper into true painting" opens to the public December 4. AFP PHOTO/Stan HONDA

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